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PUBLICATIONS: ESSAYS AND CRITICISM
· 1986 – 1992 Feminist theory, literature and the body
1. Hvor er kvinnene? (“Where are the women?”)
Morgenbladet, November 1986.
Article in connection with an ongoing debate about power and literature.
2. Nattside/normalitet (“The Dark Side/Normality”)
Kritikkjournal, 1989
Presentation of Nightwood, by Djuna Barnes, and evaluation of the Norwegian translation, published by Gyldendal Norsk Forlag in 1989.
3. Et samspill mellom liv og arbeid (“Interplay between life and work”)
Samtiden 4/1990
Review of Kari Christensen’s biography of Ragnhild Jølsen Portrett på mørk treplate.
4. “It’s my mother without argument I want” Samtiden, 1/1991
Reflections on Nightwood by Djuna Barnes and how the novel demonstrates the necessity and expediency of French Feminist theory.
5. Løveid – inn i det usagte (“Løveid –movement into the unverbalized”)
Arbeiderbladet, June 22, 1992
Review of the production ”Barokk Friise” written by Norwegian playwright Cecilie Løveid,
Oslo premier March 1992.
· Publications 1993 – 1997 Contemporary Dance, The Body and Discourse
6. Anorektikerens diskurs (“The Anorectic’s Discourse”)
Morgenbladet, October 8, 1993
Debate: women do not think with their bodies but nonetheless offer something other than the masculine discourse.
7. “What’s food got to do with it” Morgenbladet October 22,1993.
Interview with author Karin Sveen and photographer Lil Ann Chepstov-Lusty.
8. Zille Gads mange mulige liv (“The many possible lives of Zille Gad”)
Morgenbladet November 24, 1993.
Review of the book Barokk Friise by Cecilie Løveid.
9. Skaper ny koreografi (“New Choreography”)
Morgenbladet May 24-26, 1994.
Interview with the French choreographer Karine Saporta during her visit to Norway in connection with her collaboration with the Norwegian dance company Collage.
10. Elskov og kveldsmat og sann passe distanse (“Love and a late night snack in seeming proportions”)
Morgenbladet February 10-16, 1995.
Review of the Norwegian dance company Scirocco’s dance production ”Alf”
11. Tause spor søker talerør (“Silent traces seek mouthpiece”)
Morgenbladet May 5, 1995
Chronicle addressing the challenges facing the performing arts with a point of departure in the Nordic Performing Arts Festival in Aarhus, Denmark.
12. Et møte i det uartikulerte rom (“Encounter in an unarticulated room”)
Den blyge torden (Anthology of essays on the work of Sigurd Helseth)
Published by J.W. Cappelen Forlag, 1995
Essay on Det nye legemet by Sigurd Helseth.
13. Blikket og det kinestetisk i norsk samtidsdans (”Kinesthetic and the gaze in Norwegian contemporary dance”) in Frie Grupper og Black Box Teater, an anthology documenting both practitioners of and theory about non-institutionalised performing arts in Norway. Published by Ad Notam Forlag, 1996.
14. Svikefull dramaturgi (”Faulty Staging”)
Klassekampen, November 14, 1996.
Theater review of ”Villender” by Jesper Halle.
15. Det private er politisk (”The personal is political”)
Klassekampen, November 19, 1996.
Book review of Nattspråk: Selected texts by Hélène Cixous, in translation by Sissel Lie
16. Hélène Cixous og den faktiske kvinnekroppen (“Hélène Cixous and the Feminine Body”) 3T Tidsskrift for teori og teater, no. 2/1997.
17. Dans i nytt register( “Dance in another key”)
Klassekampen, January 28, 1997.
Dance review. Ingunn Bjørnsgaard prosjekt’s “The Flux Position of an Eye in Movement”.
18. Levende kropp (“The Living Body”)
Klassekampen, March 1997.
Essay on perceptions of the body and instrumentalism in contemporary dance.
19. Fem gode minutter (“Five Good Minutes”)
Morgenbladet, June 13, 1997.
Dance review. ”Except that I would like to be rid of it”, choreographer Ine Christel Johannesen.
20. Tilstedeværelse i fragmentering (“Presence in fragmentation”)
Morgenbladet, May 16, 1997.
Dance review. American dancer/choreographer Meg Stuart ”4 solos”
21. Frykten for kroppen (“Fear of the Body”)
Morgenbladet June 6,1997.
Essay on the body and piercing.
22. Seg selv nok (“Self-absorbed ”)
Morgenbladet, August 29, 1997
Dance review. Dancer/choreographer Jo Strømgren: ”Peer Pressure”.
23. Tilsynelatende flukt (“Apparent Flight”)
Morgenbladet September 19, 1997.
Theater review. Company Panterbiffene: ”Du spør ikke om hun er pen eller stygg”
24. Det dyriske i det kroppslige (“The Body and the Beast”)
Morgenbladet October 17, 1997
Dance review. Ingunn Bjørnsgaard Prosjekt: ”The solitary shame announced by a piano”
· Publications 1998 – 2009 - Dance, Movement Poetics, the Body and Multiculturalism & diverse other publications
25. ”Posisjoner og praksis i orientalsk dans” (”Positions and Practice in Oriental Dance”) in Al Farah, no. 12, desember 1998.
26. En voldsom tålmodighet og den levde kroppen (“A violent tenacity and the living body”)
The poetics of movement and movement of the poetic in Balansedame, Barock Friise og Badehuset” in Livsritualer: an essay anthology about the dramatic writings of Cecilie Løveid.
Gyldendal Norsk Forlag, 1998, ed. Merete Morken Andersen.
27. “Staging Unstable Bodies: the Practice of Oriental Dance in the West within
the context of the postmodern”. In Habibi, A Journal for lovers of Middle Eastern Dance and Arts, Vol. 17. No.4./ 2000.
28. Bestått eksamen (“Examination passed”)
Morgenbladet, May 2000. Dance review: graduating students’ exam performances from School of contemporary dance. Presentation of the school’s program and objectives.
29. Utfordrende Minimalsime (“The Challenges of Minimalism”)
Morgenbladet September 2000.Dance review: Lise Nordal’s dance production Entré
30. “The Dance of the Past will be the dance of the future. The Dance practice of Leila Haddad.” In Habibi, A journal for lovers of Middle Eastern Dance and Arts. Vol. 18 No. 2/2000.
31. Den konstante skiftende dansekritkeren (“The dance critic ever in movement”)
Essay in Norwegian Critics Association annual publication KritSirkel. June 2000.
32. Tradisjonen i møte med det nyskapende hos Dans Design (“Tradition meets with innovation”) in Om å skape koreografi (Creating choreography), Helge Reistad/Leif Hernes eds., Teater & Eftf. AS/Tell forlag AS. January, 2001.
33. Report from conference “The rhythm of the East. Performing Arts from the Indian sub continent” 16, Sept. 2000, under the direction of the organization Du store verden and the Indian Dance and Culture Center. January 2001.
34. Utviklingen i norsk samtidsdans (“Developments in Norwegian Contemporary Dance”), Essay, Morgenbladet, February , 2001.
35. Dansekunst som opplevd handling i det flerkulturelle Norge (“Dance as Multi-Cultural Experience in Norway”), in KritSirkel, Annual publication for Norwegian Critics Association. Ann-Britt Gran, ed. Spring 2001.
36. “Blissful Thinking: Towards a poetics of dance”. Dance as Intangible Heritage, Alkis Raftis, ed. Proceedings of the 16th International congress on Dance Research. International Organization of Folk Art – Greek Section, Athens, 2002.
37. “Movement & Adaptability” in NORWAY EXPORTS: Furniture. Published by Index Publishing AS, June 2003.
38. In “Selected Norwegian Fiction” published by NORLA, Norwegian Literature Abroad; four book presentations and excerpts in translation. May 2004.
39. “Integrated Solutions for Sustainable Development” in NORWAY EXPORTS: Environmental Technology. Published by Index Publishing, October 2004.
40. ““The Undoing of a Disappearance”; Report published in connection with Meeting Point Exhibition at Stenersen Museum, under the direction of Du Store Verden. Oslo, October 2005. Published April 2006.
41. “Innovation vs. tradition in Arabic dance and Flamenco”. Jareeda International Middle Eastern Dance Magazine. June 2006.
42. “Raqs al-sharqi: the Art of Having What One Has”. IMER International Journal of Migration Research, NTNU, July 2006.
43. Commentary to study programme Skolen for samtidsdans: 2006 http://www.samtidsdans.no/skolen.php#section3
44. "Words: One path to peace and understanding". Seminar report for Du Store Verden in connection with Words international poetry festival, Oslo, Published by Cyberwit 2008.
45.”Contextualising the Diversity of Dance Art Today”, program presentation for CODA Festival 2009.
46. ”Å ta til seg definisjonsmakt gjennom dansekunst. Det performative i Flamenco dans of norsk samtidsdans” i Norsk danseforskiing Tapir Forlag, forthcoming 2010.
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